Derek just finished a live interview with
Russell Gmirkin and Dr. Price, discussing Gmirkin's thesis that the OT was composed and redacted late ... by the authors of the Septuagent.
http://russellgmirkin.com/
This thesis is fairly compatible with our False Dialectic approach where we built upon Moses Hadas's work in his
Hellenistic Culture, Fusion and Diffusion which demonstrated the massive commonalities between the Greek and Jewish narratives and various other cultural aspects. This albeit that Judaism is a massive cultural inversion (e.g. all the Mosaic Laws excepting the 10 Commandments), hence a contrived or false dialectic in our view. Hadas's view was that these commonalities, in light of the differences likely only indicated common source material. But this, in and of itself, doesn't preclude Gmirkin's approach IMHO.
The other potential hurdle is that raised by Cyrus H. Gordon in his works, where he discussed in detail the very accurate knowledge of the authors about cultural references and practices in society that had occurred long, long before their times. In this case, Gordon was using the more accepted dating of redaction around the Babylonian Exile period. Gmirkin claims that such hurdles as this are dealt with because of the LXX authors' access to the Library of Alexandria, which if as claimed, had as its mission to have a copy of every extent literary work of the day.
Plato and the Creation of the Hebrew Bible for the first time compares the ancient law collections of the Ancient Near East, the Greeks and the Pentateuch to determine the legal antecedents for the biblical laws. Following on from his 2006 work, Berossus and Genesis, Manetho and Exodus, Gmirkin takes up his theory that the Pentateuch was written around 270 BCE using Greek sources found at the Great Library of Alexandria, and applies this to an examination of the biblical law codes. A striking number of legal parallels are found between the Pentateuch and Athenian laws, and specifically with those found in Plato's Laws of ca. 350 BCE. Constitutional features in biblical law, Athenian law, and Plato's Laws also contain close correspondences. Several genres of biblical law, including the Decalogue, are shown to have striking parallels with Greek legal collections, and the synthesis of narrative and legal content is shown to be compatible with Greek literature.
All this evidence points to direct influence from Greek writings, especially Plato's Laws, on the biblical legal tradition. Finally, it is argued that the creation of the Hebrew Bible took place according to the program found in Plato's Laws for creating a legally authorized national ethical literature, reinforcing the importance of this specific Greek text to the authors of the Torah and Hebrew Bible in the early Hellenistic Era. This study offers a fascinating analysis of the background to the Pentateuch, and will be of interest not only to biblical scholars, but also to students of Plato, ancient law, and Hellenistic literary traditions.
In the interview, Berossus and Manetho are discussed, as well as Manetho's Osarseph in relation to Joseph, whom Josephus discussed as well. Moses is pondered as possibly being Akhenaton and rejected. But, the later fictional Moses could easily have been built using Akhenaton (or his brother) as a trope, just as Julius Caesar was the original trope for Jesus Christ ... and the funeral wax effigy of Julius hung upon a literal Roman tropaeum.
Such considerations bring new light upon what Philo of Alexandria (and Josephus) were really up to. As such, I say that all of this is supportive of our widest claims regarding a larger project, which is playing out yet today. Call it NeoHellenism if you will.
But, as well, our thesis (made stronger here) is in direct contrast to the traditional Catholic and contemporary cultural Catholic POV which is inherently built upon the False Dialectic. It is like where, similar to an ouroboros, one first sucks on their own cock and then crows to high Heaven about various others' innovative perversions, the Degradation of their romantic [sic] Western High Culture (never once engaging in honest discussion about what exactly is being degraded unless using selective contextual boundaries).