And there shall be signs in the sun, and in the moon, and in the stars; and upon the earth distress of nations, with perplexity; the sea and the waves roaring (Luke 21:25)
In Even Jove G’nows, we discussed the allegorical meaning of the movie Jupiter Ascending as revealing the true and dark nature of our hidden, or occulted, human leadership. However, considering the astronomical aspects of the movie, my attention was brought back to the fate of the Twin Towers of the World Trade Center on Tuesday, September 11, 2001. In the complex of events that transpired that day, I have discovered certain rather impressive, sequentially correct, parallel astronomical correlations, or rather ‘signatures of human authorship’ in my opinion, somewhat hidden in the plain sight of free computer software.
I will begin by offering a concise list summarizing the correlations that I have identified in the Stellarium generated skymap shown below. The summary will be followed by some background historical material as well as more detailed analysis for placing all this within the context of our Postflavian worldview. In any case, I recommend that the reader try to adopt the mindset when beginning to view the skymap and reading the list that they are viewing either a religious or cultic initiation ritual or ceremony, or alternatively a mythic ‘passion’ play unfolding in the heavens, just as some ancients literally considered, and as reflected by the opening gospel verse above and the subtitle immediately below. The gods, in this context, are not always benevolent, as the contemporary zeitgeist for the Judeo-Christian apologists would un-biblically have us believe for their amalgamated neo-Jupiter.
In Heaven as on Earth
Note that the green line is the NYC horizon (or the stage floor of sorts) and the red line is the ecliptic.
The following is a concise list of the astronomical alignments on 9/11/2001 detailed in the general order of earthly corresponding occurrence per the day, and then as they may have significance for the ‘age’:
- Saturn is at the base of the right horn of Taurus. At approximately 6 AM on 9/10, the Moon is conjunct there along with Saturn and it moves towards the club of Orion, the hunter. At approximately 7AM on 9/11 the Moon arrives at the tip of the club and this is approximately the time when the first plane, AA11 was boarded. Flights AA11 and UA175 both took off from Boston’s Logan International Airport, where Cape Cod juts out from the mainland like a bull’s horn.
- The planet Jupiter is between his Gemini ‘twin’ sons, Castor and Pollux. He is there is perfect position to hear the plea of the divine Pollux to allow him to die with his ‘mortal’ twin, Castor, who has been attacked first. This represents the destruction of the WTC twin towers.
- The first ‘usage’ of Venus, as the occulted Statue of Liberty, is from her island perch (near Cancer the crab) where she is witness to the destruction of the twins. Note that in this short time frame Venus is at the peak of the ecliptic for the most dramatic act of the day.
- The second ‘usage’ of Venus, represents the Pentagon, again adjacent to the water (the Potomac this time) and the crab.
- Across the heavenly Potomac is Regulus, the bright star of Leo which we might take as Washington D.C., the lion being a common symbol for rulership.
- To prepare for a sacrificial feast in honor of Jupiter, Apollo, as the Sun, sends Corvus, the crow, out to fetch water with his bowl (in Greek a krater), but because Corvus tarries, Apollo sensing a lie upon his ‘delayed’ return, in disgust throws Corvus and the krater away, while Flight 93 has an odd ‘delay’ and then lands in a crater while ostensibly on the way to strike somewhere in Washington D.C., based upon the claimed diverted flight path. In addition to throwing Corvus away, Apollo changes him from white to black.
- The modern constellation, Sextans, is also along the heavenly hijacked way back to Washington D.C., perhaps indicating that modern navigational tools were needed such as entering GPS waypoints into the Flight Management Controller, or perhaps even remote control of some other type.
- Mercury (aka Hermes) is at the left hand of Virgo, and it might represent the otherwise odd E4B electronic warfare plane seen circling above Washington D.C while the Pentagon was attacked, as well as being the operational platform coordinating the various 9/11 flights including ‘Corvus’ as Flight 93 , or perhaps even all 9/11 flights.
- Virgo, the virgin, is also equated with Athena and Minerva (among many others including the Virgin Mary), the respective Greek and Roman virginal goddesses of war. The events of 9/11 almost immediately triggered … uhmmm … war.
- Libra, or blind Justice, is starting her rise above the horizon, but cannot see clearly the events as they transpire.
- Pluto, representing a dark and hidden agenda (of the plutocrats?) rests astride Serpens and Ophiuchus, the latter of which is sometimes equated with Asclepius, a competitor of Jesus.
- Mars, the god of war, is resting on Sagittarius’s bow, already waiting to be fired as per the neoconservative PNAC agenda (needing another Pearl Harbor to trigger).
- Neptune, has Capricorn’s goat, or throat that is, while Uranus won’t let the goat get away — because George W. Bush must deliver a Black Mass to black school children, reading about a goat down below the NYC horizon in Florida. Note on the skymap that Capricorn is almost directly at the bottom opposite Venus, in the mythic ‘underworld’.
- While Capricorn is about to begin its ascent, like John the Baptist and Baphomet perhaps, it prepares the way for the next ascent, that of the water man, Aquarius.
- The fish(es) of Pisces are heading down, or upside down. Jesus, we hardly gnew ye.
- Returning full circle, and (perhaps ignorantly) skipping Aries (albeit related to the former mythic Golden Fleece) and the Masonic(?) or Pythagorean Triangle, we see that Taurus is about to fall below the horizon. In the ancient context, the bull is the best known of the ruling constellations and the one which the ‘latter day’ Roman Mithraicists used to denote the changing of the ages, as well as demarcating the annual cycle. This aspect regarding Mithraic symbolism involving Taurus and the Gemini Twins, and the dynamics of the Twin Towers destruction, is the first key to my detailed analysis below.
- In the middle of the chart, we see the ‘pirate ship’ Argo (subdivided these days into Vela, Puppis, and Carina) stealthily sitting on the horizon, watching the fate of its former shipmates, Castor and Pollux, and their feuding cousins, also former Argonauts.
With the above it should noted that the visually slower (from our Earthly perspective) Jupiter, Saturn, Pluto, Neptune, and Uranus have generally been in place for several days or more, and so rather it is more with Venus, Mars, and the Moon in ascending order that seem to precisely trigger the ‘initiation’ timing for 9/11. As with the post’s title, with the exception of Mars, we find all of the historical Mithriac cult’s tutelary planetary gods on the ‘exposed’ heavenly ‘stage’ just as the events play out on the earthly stage of the New York City horizon. With this Mithraic version of Mars and the other heavenly ‘characters’ even here the mythic and modern day ‘underworlds’ are mirrored with their respective longer term hidden agendas.
For readers who find themselves intrigued by this scenario, I will now offer a background context giving my interpretation of the meaning of the correlations in the widest sense, as well as a more detailed analysis with links to excerpted data that bolster the thesis.
I am neither embarking on a statistical study here or some attempt at a typical Astrological horoscope analysis, but merely revealing what I have seen by star-gazing into a readily available computer simulation of the sky on the day the towers fell. I believe that the stars and planets portray the events of 9/11 within an interpretation that is highly natural and unforced, and all the key events are depicted in sequence. From a purely combinatorial perspective, the odds against this particular stellar configuration having arisen by chance are no doubt “astronomical”; yet the relationships have been discovered by a process of creative discernment, and critics might argue that it is the creative process that has created an illusion of uniqueness, similar to a child discovering patterns in the clouds. No attempt has been made to assess the probability that a starmap taken from any random date could give rise to a distinct yet similarly salient interpretation.
However, the results of this effort will indeed inspire an examination of other important historical dates as time permits. Others have long since discovered historical ‘initiation’ or ceremonial events tied to such as the heliacal rising of Sirius, the Dog Star. revered by the ancient Egyptians.
While one can find discussions of some of the astronomic and astrological alignments on the day of 9/11, I’ve yet to find any discussion as to how I dynamically present them here. That is, vis-à-vis the typological relationship of their ancient mythological narratives in relation to either the ‘initiating’ or termination of the Augustan New World Order, the end of which necessitates the beginning of the next one. As such, I am doing nothing different than the original authors of variant myth narratives, or those later astrologers who variously applied the myths to the heavenly constellations per their expedient needs of the day. And, as well, we can now see a clearer, covertly symbiotic, connection between early Christianity and the exclusive mystery cult of Romanized Mithraism, perhaps with the latter being supplanted by Freemasonry and other orders. This rather than as they are typically portrayed as rival religions competing to succeed the older ‘traditional’ religions and mystery cults.
With the relatively popular cultural employment of terms like the New World Order (or NWO), and other observed socio-cultural manifestations such as the ongoing New Age tableau (again tied to the Zodiac ages) and the 60’s counter-culture, there is a general tendency of induced poor expectations that we must consider such a transition to be equated with something even more dramatic than with say 9/11, and that its arrival will be obvious in a manner akin to the graphic apocalyptic imagery invoked in the Book of Revelation. But even with this latter work, we know that the process had a seven year ‘tribulation’, and was not an overnight event. Indeed, if we are to consider the prior transition into Augustus’ NWO as a model, then we should expect the presently considered NWO proper to slowly slide into place in installments, with a few fireworks here and there to grease the skids and distract us with intermittent Shock and Awe.
I am not saying that the Age of Aquarius has necessarily begun, as for one thing this is supposedly several hundred years off according to the supposed zodiacal rules, for whatever those are worth. Similarly I make no claims as to know from the same dubious basis when the current Age of Pisces began, but we do know that the Christians adopted the evocative fish as their ‘secret’ meeting symbol, taking over culturally from Aries and Taurus before that in at least what was the respective dominant religious symbologies of their day. We might ponder whether or not the sign of the fish in those early days was really only used by covert evangelical agents of the imperial cult involved in the long term transition from Caesar worship to Christianty? Then as now.
Of course, 9/11 has been a transforming historical event for not only America, but much of the world. This topic is also highly germane here because, after all, the tagline for Postflaviana.org is “Beyond the New World Order”. With my analysis here I assert that the events that happened that fateful day marked the covert, yet otherwise loud, announcement of a critical phase in the ending of the prior ‘western’ order that had been trumpeted in by Virgil’s 4th Eclogue for his sponsor, Augustus Caesar, the Prince of Peace, and his acclaimed Pax Romana, which was later merrily co-opted by the Roman Catholic Church for Christ’s sake. This then later formalized textually by the Flavian gospel graft (revealed in Romans 11) which was part of the long term process of slipstreaming what eventually became normative Christianity atop the brittle and transparent bones of the imperial cult of the Divii Julia. Christianity’s graft, once firm enough, then institutionally cemented into place by Constantine I.
Because beginning with at least Alexander’s Hellenization, Western civilization is a grand cultural mash-up of a sort, it is important to also realize here that other typological elements have been included. While in ancient times the destruction of the Herodian Temple marked the centerpiece of the seven years of tribulational (ala the Book of Revelation and Josephus’s Jewish War) war between the Flavian Romans and the Jews, the modern age witnessed on ‘9/11’ the destruction of one building that has a typological structural similarity to the Temple Mount platform and a typological nomenclature similarity with the Solomonic Temple, and just before that two adjacent towers that can be equated with the famous columns that stood outside the Herodian Temple. Additionally, with the earlier rise of the Roman Imperium via Augustus and his adoptive father, Julius, marked the effective end of the celebrated Republic. Though not in the same sequence, we witnessed a similar dagger blow to the American Republic via the already prepared Patriot Act.
As Joe Atwill discussed in his Caesar’s Messiah, we know from the early church fathers that the seven year Tribulation was referring to the Flavian war having bookended the siege and conquest of Jerusalem and the destruction of the Herodian Temple. But as with any literary typology, this type of material can be put to reuse. In fact, until 9/11 perhaps, in defense of Protestant claims of the papacy being the Anti-Christ (as opposed to accurately being the vicarious Ante-Christs) the Jesuits made perhaps the most ambitious typological effort in simultaneously advancing the mutually exclusive Preterist and Futurist Schools of the End Times. With the latter we can then see such phenomenon as the reinterpretation of the gospel word ‘generation’ (as employed by Jesus in the gospels – importantly discussed at the conclusion) by Cyrus Scofield to typologically comply with a yet to arrive event.
And so with 9/11, we see the simultaneous typological use of the Twin Towers as both the Gemini Twins and as Jachin and Boaz, the twin (but similarly different) columns just outside the Temple of Solomon.
If there might perchance be some seasonal or other cause and effect relationship to human personality differences, we Postflavians certainly don’t believe that Zodiacal Astrology can drive specific and highly planned events such as happened on that day. Rather we see such astronomic and mythological associations as typically and purposefully ‘occulted’, here as vanity signatures that can then be plausibly denied in coordination with the blind eye of institutional media. Such an ‘occulting’ aspect also serves for some misdirection of focus and marginalizing of those erstwhile ‘truth seekers’ prone to believe in a literal Satan and even others of a more rational bent. Anything that can deflect and prevent a critical mass of calls for real justice should be expected to be employed by those with such booty to be ‘harvested’, to use the Jupiter Ascending metaphor.
However, to help keep things in perspective as to: first, how and why the people of Hellenistic times fit such star and planetary imagery into their lives, which includes even Jewish apocalyptic; and secondly, why we might see modern day groups choosing to continue to make use of such alignments as part of their ‘hidden’ agenda:
First of all, one must always remember that Hellenistic astrology was both a religion and a science. The planets were gods, who ruled the universe according to scientific law. Astrologers might emphasize the religious or the scientific aspects as it suited them, but both were always present. Even Ptolemy, who tried hard to explain everything in terms of four element physics, says that ultimately the planets move as they do because of “divine, unchangeable destiny,”/59/ and a famous poem attributed to him in the _Greek Anthology_ says:
I know that I am the creature of a day; but when I search into the multitudinous revolving spirals of the stars my feet no longer rest on the earth, but, standing by Zeus himself, I take my fill of ambrosia, the food of the gods./60/
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Though astrology originated in Mesopotamia and Egypt, by the time of Alexander’s Hellenization project it was widely considered the cutting edge ’cause and effect’ science of the day by its adherents. Despite widespread Christian denials of belief in the principles involved, such as the common usages of the phrase, “on Earth as it is in Heaven” is just one of many allusions to these principles, perhaps sublimating the then exoteric to an esoteric domain. It is our belief at Postflaviana that this is indeed just how the general system works for the Abramic religions, at least, where the masses are profitably dissuaded from partaking from the figurative Tree of Knowledge generally speaking.
And so for the elites, whether constrained at times to the priesthood or not, who either get first crack at benefiting from advances in the technological state of the art, or hold a monopoly wherever possible. So while in the course of two millennia the elite class certainly has no further ‘practical’ sympathetic use of such symbology, there is yet the same underlying motivation in play that is today commonly termed ‘globalization’, perhaps Alexander’s Hellenization of the oecumene and/or the later Pax Romana writ large.
To realize such ambitious aims still requires the discrete recruitment of numerous disparate ‘talented’ individuals where some means must be employed to securely bind them together in a common goal, hence a perverse initiation rite, the level of perversity proportionate to the degree of security required. Exoteric Christianity uses such means as the barely disguised ritual cannibalism of Communion watered down such that one is only consuming a substitutional fig-mint of a human, so to speak. But Christians and other exoteric Abramists are not asked to do too much beyond occasionally partaking in sanctioned wars to ‘protect’ their freedom granted by their patrones. Wars covertly sanctified (where the word sanction derives) – in the heavens perhaps?
By extension then, what further must be done to bind together those select few to perform the occasional ‘wet work’ in the shadows needed to further the agendas hidden from the masses that would otherwise object? Here I submit that modern societies are replete with various organizations, such as college fraternities and sororities (Greek culture), for example, where various means, such as perverse initiations and coerced and drug aided sexual encounters, are used to psychologically profile and categorize recruits as to just whom makes good material to advance(?) into the operative organs for covertly getting dirty deeds done.
In modern and popular parlance ‘Greek Culture’ was recently, if not now, a crude euphemism for anal sex, whether consensual or otherwise, and either heterosexual or homosexual. But in the Classical context, young males were mandated to take an older man as a ‘mentor’ who would teach them many of the skills of life including – the modern context previously mentioned. In Sparta, at least, these young men were also required to go out and terrorize (or kill) the Helot slaves before being allowed to advance in society. An initiation ‘rite of passage’ so to speak. Imagine today if such as an American President had to undergo such rituals, even frequently admitting his young charge past the eyes of the erstwhile ‘ever diligent’ Secret Service.
As was discussed in Joe Atwill’s post, Freemason in the Rye, the Freemasons have an initiation ritual which promises the initiate certain death for breaking his vows, and as such we find a copy of Catcher in the Rye in the possession of the assassins of those who have indeed broken their vows. This book as a talismanic message to those other members that might be thinking of straying. The ‘contract’ terms will be fulfilled.
In this vein, I assert that 9/11 was both a ritual announcement to the insiders with “eyes to see” that the long term global project was advancing to the next major critical phase, and as a further collective reinforcement that their participation and contextual silence is mandatory at the cost of executive termination. Silence may be broken only if the manner of communication is properly cryptic for plausible deniability sake and to serve the perverse vanity of the sponsors.
Detailed Analysis: Castor & Pollux
Central to Greek mythology and Classical Greco-Roman culture are the two sons of Zeus (aka Jupiter, Jove or Yahweh), that is Castor and Pollux, who die and take their place in the heavens as the Gemini Twins that we more commonly know today from the still ubiquitous practice of Zodiacal Astrology. The twins, also known as the Dioscuri or Castores, were especially revered by the Spartans of whom they were the brothers of the famous Helen, who’s face it is claimed ‘launched a thousand ships’ in the course of setting off the epic Trojan War following her abduction.
Female abduction and rape, it seems, was a central ‘heroic’ theme in those times as even our deified Gemini twins were lusty participants in such activities, acting against the marital love interests of even their own twin cousins, in fact. It is our opinion that this ‘heroic’ theme is carried through to the Roman story of The Rape of the Sabine Women, as a modus vivendi and perhaps reflective of ‘traditional’ Western attitudes towards women.
There are several variants of the Castor and Pollux story, and as pertains to our focus, the twins and their cousins were once fellow shipmates on Jason’s Argo, where they went in pursuit of the Golden Fleece and engaged in other ‘heroic’ (manly) pursuits such as cattle rustling. At some point after their Argonaut days, Castor and Pollux come across the penned cattle previously stolen by their cousins and make plans for yet another Five Fingered Discount. But before Castor and Pollux can actualize their plans, when returning to their already stolen cattle, Castor and Pollux’s cousins come across them and realize what is up.
Already having had their intended wives raped by Castor and Pollux, from the scene above, they were likely not inclined to take this additional ‘double cross’ lightly. In their first skirmish, the mortal (via a mortal father) Castor is fatally wounded and thus the divine Pollux cries out to his father, Zeus, to let him die along with Castor. Zeus consents, and thus after their cousins finish them off they ascend to heaven and assume their immortal role as the constellation Gemini.
As an aside, one may be tempted to ask how Castor and Pollux can be twins if they have different fathers. Well, given that we are dealing with such as mythology, and in what was actually a ‘religious’ context back in the day, then perhaps we might say that ‘through the gods all things are possible’. Besides, when you and your sister (Helen in this case) are hatched from eggs then why have qualms about the ‘fraternal’ nature of such twin brothers? But, in the case of twins with different fathers, we do know that this happens today from time to time.
Also, in my astrological ‘ritual’ sequence, as applies to 9/11, it can be questioned about whether or not I should be including the participation of ‘planets’ that were unobservable before the ‘modern’ era, and in this regard there are also the addition of possible ‘modern’ constellations that plausibly might play a peripheral role in the sequence. I say that this is of no concern as in ancient times myths and such were constantly adapted to meet the needs and context of the day. Hence the different ancient versions of the Castor and Pollux narratives, for example.
As with the discussions of literary ‘typology’ elsewhere on this site, we know this is exactly the way ‘typology’ is utilized, i.e. by taking prior literary elements and themes and then adapting them to new situations. In this way we can see an encrypted elite continuity connecting the 9/11 planners, in this case, to the prior mythological usages.
So to return to the analysis, henceforth the divine Spartan twins become the favored gods of all the Greeks and then the later Romans. To honor the twins the Spartans would carry a dual upright cross, the dokana, before them as a battle standard just as later Christians would with the Cross of Christ Caesar.
Castor and Pollux later became the patron protective gods of sailors. With Christianity, in its dominant Pauline or ‘Nicene’ variation, in Acts 28 the apostle Paul, after being shipwrecked and spending 3 months on Malta, departs for the Italian peninsula, and then onto Rome, via a ship whose masthead was that of Castor and Pollux. Thus Paul inaugurates the arrival of the fishy Pauline Christianity, at least in a literary fashion, with the symbolism of Castor and Pollux. Note that Acts’ author only seems concerned to convey the name or masthead of the Castor and Pollux and not the prior wrecked ‘pagan’ ship. Why was one important to note and not the other?
Not so incidentally, Paul then meets with the Jews of Rome, whose ancestors just a few generations before had hailed Julius Caesar as their messiah for dealing with the temple defiler, Pompey the Great, and had wailed loudly as they watched Julius ascend to Heaven on the third day to become a god. At the funeral Julius’ wax effigy was draped uniquely ‘a-cross’ an otherwise common tropaeum funereal display post (normally used for displaying military breast plates) which then allowed the depicted stab wounds in his side to be emotionally displayed by the then Pontifex Maximus (erstwhile pope), Marc Antony. These Jews then ‘decided’ not to become Christians, but rather to stubbornly stay Jews, having ‘deliberated considerably’. This then conveniently helps establish the long term institutional Church theological Christian versus Jewish dialectic.
Interesting to note here, but practically the entire prologue to Malcolm Bull’s The Mirror of the Gods is devoted to a discussion of numerous Renaissance notables, such as Leonardo da Vinci and Boccaccio, and perhaps more importantly and long before them, Church theologians like Tertullian and St. Augustine, all who employed the term ‘shipwreck’ (referring to pagan Rome) as a common allegorical trope. This discussion also links the ‘shipwreck’ to the goddess Fortuna’s Wheel of Fortune (good and bad) and Boethius’s recounted cyclic aspect of this in Consolatio (2.1), “I will reign, I reign, I have reigned, I am without reign.” Hence we can see, as did the later Renaissance luminaries resurrecting the ‘shipwrecked’ pagan gods in their artwork, at least, the similar statement of Jesus to his twelve disciples that he would be with them to the end of the ‘Age’.
Bull also noted that, in fact, in the 12th century CE it was noted that statues of the twins, training their horses, stood on the Quirinal Hill of Rome, as they still do today. Given as how the Christians had tossed the artwork of the metaphorical pagan ‘shipwreck’ overboard to such an extent that they were otherwise rather thoroughly buried in a literal sense, and that Classical pagan art did not make its come back until the Renaissance, then we can likely assume that the statues of the twins survived from far earlier given their exalted status, and perhaps auspicious assistance to Paul.
Click on the Stellarium derived images to expand them.
If we can then translate this to Tuesday, September 11, 2001 then what do we see? First we see that Jupiter is slowly rising (moving in relative terms from right to left) and takes his place directly amongst his twin sons, conveniently where he can hear Pollux cry out, perhaps even typologically evoking Jesus’s later calling out to ask why his father had forsaken him to inaugurate the transition from Aries to Pisces. Note as well, that Saturn is reposing on the base of the right horn of Taurus. The two airliners, AA 11 and UA175, that struck the twin towers took off from Boston’s Logan Airport, if we can believe the official script that is. The nickname for Boston’s poobahs are the Brahmins, which besides the Indic caste allusion is also a type of cattle, the Brahma. Also, Cape Cod’s shape evokes the horn of a cattle.
As the first tower is mortally struck, Pollux, the second tower cries out to their adjacent father, before he too is struck by the second plane that circles back for the second skirmish. Then they both die. In any case, depending on how one wants to sequence the details, and maybe it doesn’t matter precisely, the falling of the first tower, or twin, marks the end of the Augusto-Flavian and perhaps Piscean Age and the falling of the second marks the beginning of the ‘Next’ New World Order.
Venus, Liberty, and the Pentagon
We can also see Venus precariously near a claw of Cancer. Venus, of course, because of its visual orbital dynamics with respect to the Earth, is known to be the inspiration for the 5 sided star symbol, from whose geometric interior we derive a pentagon shape. The Pentagon is directly adjacent to the Potomac and thus presumably not too very far away are some tasty crabs. Flight 77 which supposedly struck the Pentagon, departed from Dulles International Airport a short distance away and circled back to attack.
It is suspected by some people that the Statue of Liberty is an encrypted depiction of Venus, holding up her ‘illuminating’ torch. I was reminded of this by the brief mention in Joe’s recent post regarding Catcher in the Rye:
Bernice doesn’t like that type languageIn another fascinating passage, Salinger describes the language style of the Oligarchs – typology, or as he playfully terms it “type language”. Caulfield dances with ‘three witches’ in the ‘Lavender Room’. ‘Royal Purple’ is a popular variety of lavender, so this tells us that the three witches represent royalty. Caulfield describes “Bernice” as a “real queen”, indicating that she is a ‘type’ of Bernice the granddaughter of Herod the Great who helped create the ‘type language’ in the Gospels. The other two ‘witches’ are pagan goddesses: dancing with Marty is said to be like “dragging the Statue of Liberty around the floor”. That is, the famous gigantic idol of the Goddess known as Libertas (and also known as Aphrodite, Ishtar, Astarte, Isis or Venus), designed by the masonic sculptor Frederic Bartoldi. Marty’s sister Laverne seems to be another obscure Latin goddess, Lavarna, the patron saint of thieves and the underworld.
If this esoteric identification of the Statue of Liberty with Venus is true, then on Tuesday, September 11, 2001 an Earthly manifestation of Venus witnessed the ritual sacrifice of the Greco-Roman twin saviors with another front row seat, besides that provided for those watching from Building 7, see further on. Strictly speaking, the ancient Romans undoubtedly considered Libertas a distinct entity from Venus, but considering many of the statue’s attributes, the identification with Venus is at least a plausibly deniable interpretation. The statue’s trademark “crown of seven spikes” is, however, most often seen on images of Sol Invictus, as well as on some imagery of Ishtar, Venus’s widely ascribed precursor, the so-called Whore of Babylon.
However, simply considering the overt identification of the statue with Libertas, and what we know of the cynical oligarchs’ traditional context for the concept of ‘freedom’, we certainly saw with the rapid enactment of such as the Patriot Act a certain attack on ‘traditional’ American freedoms, by our own government. But what’s new here? A Roman ‘freedman’ was a slave who had been ‘freed’ because his patrone believed that the freedman would ‘patriotically’ do his bidding, else lose his freed status.
Another synchronicity here with the Freemason in the Rye excerpt is the mention of ‘Bernice’. Within the 9/11 astrological context, is the minor constellation of Coma Berenices on the far side (from the ecliptic) of Virgo, whom are both also witness to the 9/11 drama. This constellation was not named for the Bernice of Flavian fame as mentioned above, but rather for a prior ‘Berenike’ (the bearer of victory), the wife of Ptolomy III who launched a military campaign in what is now Syria/Iraq. Berenike offered up her golden locks to the gods if her husband would return from the war safely, hence her hair became this constellation. Another interesting topical factoid about this Berenike is that she was from the Cyrene (Libyan) city that we know today as Benghazi.
Many people have noted the correlations of Building 7 to Solomon’s Temple such as the trapezoidal platform geometry, and that its major tenant was Salomon Smith Barney (the first name from the former Saloman Brothers). Likewise, the Twin Towers had interesting apocalyptically named tenants such as an IT business named The Beast, located at one of the points of impact. So besides Venus watching the ritual demise of Castor and Pollux across the water, were there any other ritual observers with a front row seat?
On September 11, 2001, Barry Jennings, Deputy Director of the Emergency Services Department of the New York City Housing Authority and Michael Hess, New York City’s corporation counsel, headed to the Office of Emergency Management’s Emergency Operating Center (FEMA), which was on the 23rd floor of WTC 7. Hess was expected to meet with New York Mayor Rudy Giuliani at the office. ….
Jennings recalled finding a large number of police officers in the lobby of WTC 7 when they arrived before the collapse of the New York World Trade Center Towers. The two men went up to the 23rd floor, but could not get in, so they went back to the lobby. The police and security took them back up in a freight elevator. When they arrived on level 23, they found the 23rd floor had been recently deserted and absolutely abandoned, “coffee that was on the desk, smoke was still coming off the coffee, I saw half eaten sandwiches”.
At that point, Jennings made some phone calls, and an un-named individual told them to “leave, and leave right away”. Jennings and Hess then proceeded to the stairs, and made it down to level 6, when there was an explosion, and the stairwell suddenly blew out and collapsed from under their feet. Jennings was left hanging for his life from the stairwell, but was able to climb back up to safety.
They made it back up to level 8 where Jennings had a clear view of the twin towers, both buildings were still standing. Jennings and Hess were trapped on level 8 north side of the building away from south side facing the twin towers. On the 8th level, they began to break out windows for fresh air. From outside, firefighters advised Jennings not to attempt to climb down to safety on a suspended fire hose. It wouldn’t hold him.
Subsequently and after the collapse of the World Trade Center Twin Towers, Jennings and Hess was rescued by firefighters that led them back down into the lobby. When they made it to the lobby, Mr. Jennings found it destroyed and littered with dead bodies. He said it looked like, “King Kong had came through it and stepped on it, (it was) so destroyed, I didn’t know where I was. So destroyed that they had to take me out through a hole in the wall, that I believe the fire department made to get me out.”
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Mercury, Virgo, Flight 93 and Shanksville
Note also that the sequence of events from right to left, has the order of attack correct from the Twin Towers to the Pentagon. At the time of the first version of this post I had not been able to determine a similar astro-mythological clue for Flight 93 and Shanksville, and I conjectured that maybe this was because of the highly dubious nature of this event, as pointed out by many alert 9/11 researchers.
But to show that persistence can pay off, I discovered the following separate myth involving the Sun god, Apollo, who wanted to give a feast, presumably involving a typical sacrifice, to honor Jupiter. Here, just a little further examination of the skymap reveals the nearby presence of a constellation called Crater, this time just across the ecliptic from Virgo, and most importantly – in the proper corresponding sequence, as revealed by the position of the planet Mercury adjacent to Crater and Virgo, following after Venus along the arc of the ecliptic. Associated with Crater are two others, Corvus (the crow or raven) and Hydra (the water snake).
These three constellations are accompanied by an interesting myth as told by Ovid’s Fasti: Apollo, the Sun god (also present for the 9/11 astrological sequence), has decided to give a feast for Jupiter and commands Corvus to go fetch some water using Apollo’s ‘krater’, or bowl. Corvus takes the krater and goes out in search of water, but before he can complete the mission he spots a fig tree. Stopping here, he finds the figs not ripe enough to suit him and decides to wait until they ripen. Now having taken too long at his assigned task, he realizes he needs an excuse, so he finds Hydra the snake and takes Hydra and the krater back to Apollo. He explains that Hydra prevented him from fetching water, but Apollo immediately recognizes that Corvus is lying about this and in disgust throws Corvus, the krater, and Hydra as far as he can. Thus they end up as constellations in the heavens. Most interestingly, in the process Apollo also changes Corvus from white to black.
So with this additional myth we now find parallels with the Flight 93 aspect of 9/11 in the flight leaving Newark International Airport supposedly on its way to San Francisco. As it reaches the area near Cleveland, OH it is hijacked and then turns back in a line towards Washington D.C. where it is speculated to have had either the Capitol building or the White House as a target, considering that the Pentagon was already stuck by Flight 77.
Notice in the following two excerpts that Flight 93 actually experiences not one, but two delays, with possibly the first being beyond anyone’s control.
The aircraft was scheduled to depart at 08:00 and pushed back from gate A17 at 08:01. It remained delayed on the ground and did not take off until 08:42 because of heavy airport congestion, just four minutes before American Airlines Flight 11 crashed into the North Tower. The three other hijacked flights all departed within fifteen minutes of their scheduled times…
The hijacking on Flight 93 began at 09:28. By this time, Flights 11 and 175 had already crashed into the World Trade Center and Flight 77 was within 9 minutes of striking the Pentagon. The hijackers on those flights had waited no more than 30 minutes to commandeer the aircraft, most likely striking after the seat-belt sign had been turned off and cabin service had begun. It is unknown why the hijackers on Flight 93 waited approximately 46 minutes to begin their assault.
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This begs the question, of course, in that if the first delay was incidental, was the second delay shortened from some preconceived operational plan, or not, by the same general period lost from the first delay? Whatever the case, the effect generated a significant operational delay that, if not granting the USAF NORAD interceptors more time to respond, it allowed the passengers, if we are to believe the official narrative, time to learn, via phone, what was happening elsewhere and thus to cause the flight to crash and create the disputed ‘crater’, near to a body of water, Indian Lake.
With these delays then, we see a seeming breakdown in OPSEC, otherwise known in military parlance as ‘operational security’, where without the seemingly excessive delay(s) it is much less likely for the passengers to have garnered their phony(?) ‘intelligence’ and organize to take the claimed action against the claimed hijackers.
As I mentioned earlier, one of the ‘modern’ constellations is Sextans, or the ‘sextant’, which is the first ‘modern’ device used for nautical navigation measurements, by checking the position of various stars at certain precise times. Here we have another typological parallel with the requirement for modern navigational technology, such as GPS, to have been employed on 9/11. This might certainly be the case with the WTC impacts, as GPS guided remote flight control was well within the capabilities of certain parties. In fact in was already commonplace on airliners for routine landings to be done under such means, and the military had even more accurate GPS technology at its disposal.
But, with Flight 93 and the Corvus myth, with their curious typological delays, there is the hint of a complete fabrication in what took place. For one thing, the ‘crash’ site near Shanksville, as with the renovated wedge at the Pentagon, and then Turner Construction (err … demolition) at the Twin Towers, presented a perfect environment for pre-staging. In this case, perhaps for the ‘crater’. Besides many other peculiar aspects of these events, and here with Flight 93, was the sparsity of good photographic evidence of an actual jetliner crash. Instead, the public was told that the plane impacted at such an angle and speed that there was literally nothing left, but this curiously odd crater.
As I discovered in recent days, there are now some posted photos of identifiable airplane parts available, all such being within the plausible realm of being salted there from parts previously recovered from actual airliner crashes as appears the case for the Pentagon. In any case, we now know what such a debris field should look like from the recent deliberate high speed crash of the Germanwings airliner into the hard bedrock and covering black gravel of the French Alps. The debris field is massive and includes a range of sizes from small fragments to the size of an automobile.
With the 9/11 airliner flights, it has frequently been claimed that in-flight substitutions of the airliners took place using a maneuver whereby a second plane uses various ongoing confusions to substitute itself for the plane(s) that took off from the various airports. This maneuver was described in the leaked plans for Operation Northwoods. As such, were the planes that took off from the airports typologically ‘white crows’, that were then transformed mid-flight into ‘black crows’?
Interestingly, here we also find a curious, albeit not perfect parallel, with a tactic employed by the Roman navy against the Carthaginians during the Punic Wars. Instead of using their vessels for ramming as was typically the case, the Romans outfitted their otherwise inferior vessels with a hinged boarding ramp that required them to come alongside the Carthaginian vessel, instead of ramming them at an oblique angle. This ramp, with a beak-like spike on the end, was called a corvus.
As such, could the tactic of using a ‘black’ plane for a substitute, be cryptically known by same name for such a maneuver? One is reminded here of watching crows or ravens playfully, or not, tailing after each other.
Within the context of what happened after 9/11, and the sequence, we must be reminded that Virgo, the virgin, is equated with not only the Virgin Mary, but the respective Greek and Roman virgin goddesses of war, Athena and Minerva. And then just coming up on the horizon is Libra, or blind “Justice”, who was unable to accurately perceive what transpired, thus the stinger of Scorpio and the bow of Sagittarius awaits with Mars upon it.
Mithraic Shooting of the Bull
The Precession of the Equinoxes, which Zodical Astrology is based upon, was known by at least 127 BCE, that is if Aristarchos of Samos or someone else didn’t discover it even sooner than Hipparchus did. And similarly the highly Romanized variant of Persian Mithraism had already come into play in order to be highly relevant to the discussion here. As discussed in detail in the Wikipedia link, this new cult appears to have been a typical syncretistic mash-up of prior religious and mythic systems, most likely invented in Rome for the purposes of the ruling elites to covertly steer a select demographic consisting mostly of select military personnel and similar civilian males. Interestingly we find here a type of secret society whose very ‘planetary’ grades seem to comprise the general hierarchy of the significant 9/11 heavenly cast.
The Gemini twins, Castor and Pollux, found their way onto the Roman Mithraic cosmological central iconography of the Tauroctony, an example of which is seen below.