Due to the seemingly uniform ambiguity of these linkages can they thus serve as some form of limited hangout that perhaps stokes both the vanity of the true masters and those 'servants' who are releasing such inner knowledge? And at the end of the day we have no idea who either of these two, Reuchlin or Roman Piso are. Such as the massive use of sexual innuendo, e.g. "the raising of trumpets" and such, seems pretty obvious on a perverse comedic level, and perhaps in line with a psychotic drive to maintain control through any means possible. To achieve the first more 'innocent' level of the most common innuendo Piso discusses we must be reminded of the still current refrain about "Beans, beans, the magical fruit, ..." to easily arrive at the actual instrument being alluded to. To get to the next level, one only need understand the prevalence of so-called Greek sexual 'culture' at the time. As for Reuchlin's use of numerology, I have not taken the time to verify these numbers to see if they make any sense, however, even if they do, the use they have been put to is nowhere up to what David Fideler definitively revealed in Sun of God for 'sacred' Pythagorean numerology embedded within the NT, which is multilayered geometrical constructions relating to the Sun. So then, this presents an interesting and likely reconcilable enigma if both rather sophisticated and 'sacred' (to somebody at least) cult knowledge is embedded along with rather sophomoric and psychopathic humor is there as well. We know that the god of the OT has a dual nature, because he explicitly states so. One also gets into the 'Chrest' issue. I believe that several, if not most of the frequently claimed extra-biblical mentions of Christ are really referring to 'Chrest'. In the case of the Nero incident, I believe it was stated that someone named 'Chrest' was inciting the 'Chrestians' and thus Nero turned them into human candles. This individual named Chrest would be an anachronism to the claims of the normative gospels. And here we get the the claims of Bartram about such as the Flavians, Josephus, and Poppaea being part of a secret cult, of the Chrestians, of which there are many 'Chrest' inscriptions found throughout the Mediterranean, as discussed by Bartram. Given that contemporaneous mystery cults, and such as masonry, operate on different levels of understanding, might any such crude humor serve to help mask the inner layers?